Verbal Brazilian jock dominating foot slave

THE BOTTOM GUY IS secretly into the top guy, his strength, experience and his feet. But, like many Brazillian boys, he also like to have his strength, his own agency and doesn't want o be seen as the piggy bitch capitulating slut that he is, so he begins the first third of this film NOT acting as we might anticipate.

The film can be almost read as two guys horsing around and being silly (experimenting or daring each other through boredom, perhaps). This is where the top - who quickly understands that he needs to play along with the bottom - starts his covert seduction - he makes lots of affirmative noises ('yessa, yessum') to encourage the sub to continue and do better. He keeps his foot constantly on/in the bitch boy's face to show us (and him) that whatever his protest, smell, awkwardness that exists - the boy won't complain or react ENOUGH to stop his foot repeatedly wiping across his face, like a ... - the boy fancies (may idolise) his mate and his feet will not be stopped from doing exactly what they want to with his mouth, eyes and face. Moving around his nose, lips and cheek - leaving them on and in him allowing his Dom's sweaty soles' invading his space, taking authority and using him like the grateful little bitch he is to be underneath them, used and played with how each toe sees fit to it's amusement, pleasure and whim.

Once control is demonstrated physically - the boy has no desire to stop (perhaps still believing that he is being controlled by the Dom) the cream is poured on and - with slight retraction - the top may then demonstrates his slave's DESIRE - that he will happily begin to actively lick and sick his toes and, finally, to kiss his toes on a camera, while the camera is documenting his willingness to be a good, to clean dirt between his toes, to impress and be useful to him, - to make of some 'worth' his desire, to be worthy of them and - for the feet, to show worship he has for, and of, his Top's now sexualised body.

The boy runs away at the point when he knows what had been apparent to the voyeur for some time: he becomes (despite his best efforts) irrefutably recognised for both his homosexual desire and of willing submission, surrender along with an excitement - he has been undressed - his exit may therefore be read (publicly to us, privately to his friend and, possibly also personally in terms of a self-realisation, revelation or epiphany) as his inexorable, 'coming out'.

Viewed as such, The potential power-play between the two men and the meanings that become attached to actions that we are encouraged to read as innocent, fooling around or at least 'without agenda', this is a very powerful and potent video documenting one of the final stages in Coming of Age; self-awareness, desire, suppressed fantasy and it' s effects, shown here, on sexual expression.
(I wonder if marciomis1 may find this of any interest?) } Joe x

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